RE-MIX: creation and alteration in DH

This year, the conference’s central theme is ‘RE-MIX: creation and alteration in DH’ (alluding to the theme of the European Capital of Culture, Esch-sur-Alzette). Of particular interest are contributions that consider the use, re-use, revision/alteration and diffusion/dissemination of ideas, cultural artefacts and/or data. 
Relevant subjects can be any of—but are not limited to—the following:

  • Digital Humanities at the intersection of disciplines within and beyond the arts and humanities.
  • Digital approaches to Intertextuality.
  • Multilingualism and/or multiculturalism from a digital humanities perspective.
  • Diachronic and evolutionary perspectives on society and culture from a digital humanities perspective.
  • Critical, data-driven studies on the spread and trajectories of (dis- and mis)information, ideologies and/or the development of bias within and across communities.
  • Humanities research enabled by digital approaches, including but not limited to digital arts, architecture, music, film, theatre, new media, internet language, memes; digital games and cyberculture; digital media, digitisation, curation of (born-)digital objects.
  • Integrating (and/or discussing the challenges of integrating) quantitative, statistical and computational methods and techniques into the Arts and Humanities.
  • Dissemination of digital infrastructures, data, software, and/or research output in and beyond knowledge institutions.
  • Software studies, information design and tool criticism.
  • Digital Humanities in relation to pedagogy, teaching, and digital literacy.
  • Digital scholarly editing and ePublications.
  • Open Science in the Digital Humanities.
  • Citizen science, participatory research methods, and other forms of public engagement.
  • Project introductions.